Scott Rosenberg notes that paid-for online music is not as good as the “real” thing, and makes some interesting points about the recording industry’s lack of trust in providing high-quality product to the public, even when they’re paying for it.
…thoughts that made it to the page
Scott Rosenberg notes that paid-for online music is not as good as the “real” thing, and makes some interesting points about the recording industry’s lack of trust in providing high-quality product to the public, even when they’re paying for it.